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           Fall  2015
A stage is more like an industrial work area, where equipment moves and changes frequently.  Beyond the "fourth wall" the audience sits in elegant comfort.  The Four Seasons Center for the Performing Arts, Toronto, Canada.
Photography by Tim Griffith

As the saying goes "free advice is worth what you pay for it".  In this fast-paced and information overloaded modern world, ideas are everywhere but often it's hard to sort the good from the bad.  The American Society of Theatre Consultants (ASTC) offers quality planning advice at the cost of signing up for a newsletter.  What a deal!  

In This Issue

A discussion of maximum seating distance
Robert Shook, ASTC 

Renowned set designer Ming Cho Lee sketched a comparison of a small scene viewed from two different theatres. On the left, the actors in a dramatic setting will be easy to see and their facial expressions can be discerned; on the right, the actors are dwarfed by a larger auditorium which might be more appropriate for grand opera.

In the spring of 1996, the ASTC Newsletter tackled the issue of maximum seating distance from a stage. While new technology may be changing the rules a bit, the fundamental approach to determining how far audience members can be placed from the stage remains the same. Robert Shook revisits his original article and updates it. 

This control booth, under construction, utilizes a wheelchair lift to resolve accessibility.  This is just one way to provide accessibility.
Paul G. Sanow, ASTC

Despite what seems to be clear requirements that almost every control booth should be accessible, some architects and owners hope to avoid the expense and hassle of compliance.  

Early in the design of nearly every theatre facility we must tackle the subject of control booth accessibility.  It doesn't seem to matter if it's a school, small civic entity or commercial space, the issues are important.  If not planned early, it can be difficult or expensive to integrate accessibility so technicians with mobility disabilities can access control booths to operate lighting, A/V or other similar functions.  

Paul G. Sanow, ASTC

For the third year, ASTC and The United States Institute for Theatre Technology (USITT) are conducting the Student Theatre Renovation Challenge.  It is a teaming of students and an ASTC member Theatre Consultant to develop a theoretical renovation project. 
Theatre section from the 2015 ASTC/USITT Renovation Challenge winner, Yale University's Jeong Sik Yoo and Mitchell Crammond.
ASTC Members listen as Tom Folsom discusses his involvement in the renovation of the Mark Taper Forum in Los Angeles. ASTC Forum 2014.
Heather McAvoy, ASTC

ASTC Members will rarely turn down an opportunity to tour new or old performing arts venues, or a chance to talk about the state of facility design.  Each year members of ASTC gather in one city for a weekend of learning and investigation.  This year ASTC will meet in New Orleans. 

Kent Conrad, ASTC

In the past year, ASTC has welcomed a number of new and associate members to its roster.  ASTC membership is limited to full-time, professional theatre consultants who demonstrate expertise and experience in the design of performing arts facilities
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